Etro is a metamorphic, perpetually in flux, mercurial language. Feeding on the constant movement of prints and colors, painting them on the body in shapes that flow as one with gestures and actions, it is an idiom that mimics life and follows its rhythm. The tense, ritualistic rhythm of La Niña scores this show.

Marco De Vincenzo bathes in the Etro flow, allowing himself to be swept away as he directs it, breathing in the rebellious freedom of the founding moment, the joy of psychedelia, and letting the story take shape on its own, as everything falls into place with a freedom full of sentiment yet free from schemes. Spontaneity, a primal and indomitable energy, infuses the act of dressing, which is also a way of expressing oneself.